Avoid high frame rates for maximum image quality.Record the highest possible bit-rate “FiLMiC Extreme”.Set and lock your exposure after locking white balance. For example, this is often the brightest part of the sky or a white object. FiLMiC Pro’s exposure reticle works very well, you can place it over the brightest area of the image, and lock it once set.Lastly, avoid reflections in the black reference chip to ensure you get a clear black point reference. Ensure the chart is illuminated evenly by your key light source or full ambient light and is clearly visible in the frame. Shoot your ColorChecker color chart at the beginning of each camera setup or position.This is currently giving me very consistent color, making shot matching and color correction far faster in post. In all outdoor conditions I’m locking the daylight 5200K white balance preset. UPDATE: While the above is not technically incorrect, I have actually found the most consistent color for shot matching and color correction can be achieved by using the FiLMiC Pro white balance presets. Use the zoom function to fill the frame with the grey card. Always position the grey card reference so it is evenly illuminated by your key light source or full ambient light. The light can change quickly outside and throw off your color. Use the ColorChecker grey card reference to set and lock white balance often.Invest in an X-Rite ColorChecker Passport Video chart. The lut is useful if you don’t use a reference chart, but not necessary if you do. You will still need to tweak things after applying the lut in order to line everything up on the scopes. I’ve created two video tutorials and written up an article to teach you exactly how shoot with FiLMiC LOGv2 and color correct easily by using the X-Rite ColorChecker Passport Video: Shoot and Color Grade FiLMiC LOGv2 with the X-Rite Colorchecker Video.įiLMiC have a deLog lut and deFlat lut available for download that help give you a good starting point to getting your video close to Rec.709. There is little room for error, and limited room for correction, but there is enough room, as long as you take the time to white balance and expose correctly. For the best results in post, carefully watch any highlights that you want to protect. However, there is no possible recovery of clipped highlights. As long as white balance and exposure are correct, FiLMiC LOGv2 is capable of producing truly excellent images.įiLMiC Pro LOGv2 holds up to under exposure quite well, within reason. I’ve over-exposed, under-exposed, shot with and without ND filters. This allows LumaFusion editors to create projects for HLG, PQ P3, and Rec-709 10-bit color spaces using compatible HDR media from a wide range of cameras, drones, and the new iPhone 12 Pros.Over the past months I’ve shot many tests, mostly with an X-Rite ColorChecker Passport Video under a variety of conditions. LumaFusion v2.4.4 also enables editors of all skill levels to take full advantage of new advancements in camera technology, including the new Dolby Vision HDR features recently announced in the new iPhone 12, such as full HDR support with 10-bit processing and export. A single click instantly applies the LUT to a sequence for an optimal color grading experience. All of this extra color information allows content creators to manipulate footage well beyond what is capable with 8-bit video.įor LumaFusion editors, this means that all footage shot with FiLMIC Pro Log V3 is automatically saved as LUT in the LumaFusion color and effects menu. This significant increase provides mobile filmmakers with over 1 billion available colors when shooting in 10-bit and Log V3, which is crucial for color grading in post production with LumaFusion. Shooting in 10-Bit SDR with FiLMiC Pro and Editing in LumaFusionShooting with FiLMiC Pro 10-bit SDR delivers a dramatic increase in available tonal values - from 256 tonal values per RGB channel to 1,024 tonal values per channel. As a free addition to the update, LumaFusion v2.4.4 with FiLMic deLOG V3 LUT gives filmmakers and editors the latitude they need to color grade data rich content for spectacular, cinematic results. With this addition to the LumaFusion workflow, FiLMiC deLOG V3 LUT radically simplifies advanced color grading for filmmakers and editors a single click will conform LOG footage to the rec.709 color space while still providing significant additional dynamic range. LumaFusion delivers professional-caliber video editing with a fluid, intuitive and natural multitouch screen experience and a UI/UX that is inspired by, and specifically designed for, the iOS touch screen. LumaFusion has earned a reputation in the industry as the must-have multitouch mobile editing platform for iOS. LumaTouch today announced it has added the FiLMiC deLOG V3 LUT as a free upgrade to the new release of LumaFusion v2.4.4. All, - well especially good news for mobile creators.
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